Character Education

If you can't predict what a character will do, you're more likely to stay hooked by a story. Complex characters take time to reveal their hidden motives and disruptive plans. Rampart, one of the best films I saw at the Toronto Film Festival, revolved around a corrupt policeman with loads of charm. Watching Officer Dave Brown develop and unravel was an extraordinary experience. Much of his behavior was awful, but his emerging desperation made you want to understand him more. It's hard to think of a character in literature with the same qualities of attraction and repulsion. Voracious readers: help me out!

Officer Dave Brown is not Raskolnikov -- but he shares some of the delusions that Dostoevsky's great character held about why he should be permitted to do some of the sickening things he does (e.g. bash in the heads of suspected criminals, kill those he presumes to be guilty).

Officer Dave Brown is not Gatsby -- but he has some kind of naive sense of entitlement and -- though he has no real skill for the endeavor -- he is prone to love.

Officer Dave Brown is not Salander -- he has a set of gifts that include bottomless irony and a penchant for disappearing, but his morals are not as clear as Lisbeth's and his taste for violence is less defensible.

The one thing that Officer Dave Brown may be is the clearest example of what a great actor Woody Harrelson has become. Watching this mesmerizing movie, I had to remind myself that Harrelson is the same person who began his career as the dumb guy everyone made fun of on Cheers. During Rampart, it is difficult to take your eyes off him because he seems to have control of every muscle, every pore -- and he uses them to reveal more about the character.

Any writer who wants to learn more about creating compelling characters should see this movie. It is as instructive as it is amazing.